Professor, live composing, electroacoustic, interdisciplinary, experimental.


Sheet Music

Jostein Stalheim

Stalheim has written music for soloists, chamber groups, orchestra and stage. He has written for companies such as Carte Blanche and The Norwegian National Ballet. In 2018 he was nominated to The American Prize for his opera Rosetta Stone, first performed in San Francisco.

Jostein Stalheim was born in Voss in 1960. He started composing at an early age and in 1977, when only 17 years old, his first works were broadcast on both radio and television. He has studied composition and accordion at the Royal Conservatory of Music in Copenhagen, Sibelius Academy and at the Norwegian State Academy of Music.

While still a student larger works such as “Hydra” and “Det røde snøballtreet” were performed. “Gaps” for accordion and percussion was performed at the official opening of the Norwegian State Academy of Music’s new building in 1989. The piece TaNGOni was among the elected works in World Music Days in Copenhagen 1996.

Stalheim has become increasingly occupied with the element of movement in music. His later works often have as their point of departure physical direction or distance. His string quartet “To- tve-tvil” is concerned with a person in doubt. The title is related to the Old Norwegian word “tvisyn”, which means the ability to view any situation from two sides; for example, both the comical and tragical aspects of life. In this string quartet Stalheim attempts to find a particular direction where the listener is positioned in the focal point between that which is expressed and that which is implied.

“Inside” is another example of his incorporation of the physical element in his music. Here he seeks to direct light towards friction and insight, distance and approach, by placing emphasis on depth within the dynamic apportioning of space. In his “A-AB-ABS” movement is also a central element, where the idiomatic aspect of the instruments themselves is his point of departure.

Ballet music comprises a considerable part of his production; a.o. Watch, Volatile, Sakk 4, Alrekr,  Kast. He has also worked in theatre both as composer and musician, amongst others, Norwegian National Ballet, The Royal Theatre and Jytte Abildstrøms teater in Copenhagen, Teater tribonda, Cristal opera, Hordaland Teater, Bergen komediateater, Den Nationale Scene and Danseteatret.

Jostein Stalheim has received commissions from soloists and ensembles both in Norway and abroad. On several occasions Stalheim has been guest composer at festivals such as Gdansk, Bergen, Valencia, Cluj.